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Yale Center For British Art
The Critique of Reason:
Romantic Art, 1760—1860
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Commentary by John Walsh on The Retreat of Napoleon’s Army from Russia in 1812
Commentary by Matthew Hargraves on Jerusalem
Commentary by Scott Wilcox on A View of Snowdon from the Sands of Traeth Mawr
Commentary by Bryan Wolf on Cottage on Fire at Night
Commentary by Stephen Scher on Napoleonic commemorative medals
Commentary by Gillian Forrester on Storm on the Ganges
Commentary by Gillian Forrester on Dort or Dordrecht
Commentary by Katie Trumpener on Une famille dans la désolation
Commentary by Anne Higonnet on Staffa, Fingal’s Cave
Commentary by Alexander Purves on In the Forest at Fontainebleau
Commentary by Alexander Purves on Dedham Lock
![[Top] Bertrand Andrieu, *Napoleon at the Saint-Bernard Pass* [Bottom left] Bertrand Andrieu with Nicolas Guy Antoine Brenet, *The Mont Blanc School of Mines* (reverse) [Bottom right] Bertrand Andrieu with Nicolas Guy Antoine Brenet, *The Abdication of Napoleon* (reverse)](https://interactive.britishart.yale.edu/sites/default/files/styles/ycba_thumbnail/public/Napoleon%20medals%20Photoshopped%20for%20real%20sans%20background_0.jpg?itok=6Zzrh5_W "[Top] Bertrand Andrieu, *Napoleon at the Saint-Bernard Pass*, 1800. Pewter. [Bottom left] Bertrand Andrieu with Nicolas Guy Antoine Brenet, *The Mont Blanc School of Mines* (reverse), 1804. Silver. [Bottom right] Bertrand Andrieu with Nicolas Guy Antoine Brenet, *The Abdication of Napoleon* (reverse), 1814. Silver. Lent by Stephen K. Scher, B.A. 1956, Ph.D. 1966, and Janie Woo Scher. Click on the image above to hear commentary by Stephen Scher.")
